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बुधवार, 16 सितंबर 2009

Famous persons and families in Murshidabad part 6: Bothra Family

Bothra family became dominant in religious and cultural activities among Shaharwali after decline of zemindari in 1954. Many of the prominent families of Murshidabad suffered huge set back after 1954. The Bothra family of Azimganj came to replace the vaccuam.

Late Prasan Chand Bothra established a business house for trading jute in Kolkata. Shree Parichand, Srichand and Gambhirchand Bothra were three able sons of him. They have flourished business after him and raised income many folds.

They became the new Rais of Azimganj residing at Parsi Bagan lane and Dover road in Kolkata. They have their Mukams in Jiaganj and other places. They purchased A.M. Mair and company that became the most successful jute brokerage farm. All the brothers were religious and social. Most of the charitable work in Murshidabad were supported by the family during last half of twentieth century. The brothers established Pawan Kumari Jnyan Mandir, a Jain pathshala at Azimganj in the name of their mother. Where Shree Parichand and Shrichand Bothra were more involved in socio-religious activities Shree Gambhirchand Bothra devoted his life in serving the patients. He was a daily visitor of Marwadi relief society, hospital at Chitpur.

Thanks,

Famous people from Azimganj Part 1

Famous people from Azimganj Part 2

Famous people …….. Part 3
Famous People..........Part 4
Famous People..........Part 5

Bari Kothi


Presented by:
Jyoti Kothari


Jyoti Kothari is proprietor of Vardhaman Gems, Jaipur, representing Centuries Old Tradition of Excellence in Gems and Jewelry.
He is a Non-resident Azimganjite.

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मंगलवार, 15 सितंबर 2009

Hindu festival in India: Shraddh Paksha: Pitri Paksha

Shraddh, Pitri Paksha and Antyesti

Shraddh Paksha or Pitri Paksha holds a very important place in Hindu festivals in India. Gujarati people in India spell and pronounce Pitri Paksha as Pitru Paksha.
The word Shraddh is derived from word Shraddha in the Sanskrit language that means respect and faith. Shraddh is a ritualistic custom in the Hindu religion. It holds a very important place in Sanatan Dharma.
Paksha means here fortnight. the word meaning of Paksha in the Sanskrit language is a wing of a bird. Indian linguists imagined a lunar month with two fortnights as two wings of a bird. Hence, a fortnight is called Paksha.
Agni, Garud, Matsya and Vayu Purana, all these medieval Hindu scriptures depict the significance of Shraddh. These Puranas also explain the procedure with who, when and whom. Garud Puran is the most important scripture about the topic where god Garuda, the vehicle of Lord Vishnu, depicts the journey of Pretatma. Path of Garud Puran is almost customary in the third day after death (Tiya or uthavana) of a Hindu person. Lord Yama, the god of death, himself depicted the importance and procedures of Shraddh.
Shraddh and Funeral rites are different from each other. Funeral rites (Antyeshti) are Amangal (inauspicious) but Shraddh is Mangal (auspicious). A dead body (Sthula Sharira) of a person is burnt customarily in Hindu society. This is called funeral, the Antyeshti. Hindus believe that the Jeevatma (soul) cannot get out of the dead body without a vehicle, Linga-Sharira (subtle body). Departed soul hovers around crematorium. This is referred to as Pretatma (Ghost) who are invested in a subtle body. The Pretatma or Preta has no physical existence or body who can enjoy anything earthly and remains in continual uncomfortable and restless state.
The antyeshti or funeral rites, carried out for twelve days after death, is to provide peace to the restless soul, Pretatma. Hindus believe that this ritual also helps the Pret to get an intermediate body, between the Linga and Sthula Sharira. Though it is made of gross particles it is different from a physical body. This intermediary body helps to proceed to his journey to Pitri Loka. The process is called Gati (movement) according to Hindu belief.
Dasa Gaatra Pinda Dana Shraddh is Performed during ten days beginning from the day of death, Ekadashah on the eleventh day and Sapindan on the twelfth day.

Shraddh and Tarpan Karma

There are various types of Shraddh performed in Sanatan Hindu religion. Those are as follows:
1. Nitya 2. Naimishik 3. Kramya 4. Vriddhi  5. Sapind 6. Parvan 7. Goshtha 8. Suddhyartha
9. Karmang 10. Daivik 11. Aupacharika 12. Samvatsarik Shraddh.
Samvatsarika (Annual) Shraddh is performed on the death anniversary every year.
The abode of the Pitris, (Ancestors) are called Pitri Loka. The Gujarati people spell and pronounce Pitri Loka as Pitru Loka. The word Pitri (Pitar) belongs to the Indo-Latin group of languages that means father. The departed soul takes many months to reach Pitri Loka. Relatives of departed soul perform Shraddh to help him or her in the journey to Pitri Loka. The ceremony is called Pret Kriya. Hence a Shraddh is a Pitri-Yajnya or worship of departed ancestors. The son of a diseased person performs Shraddh for the attainment of the salvation of his father or mother. He also performs it for the immediate three generations of his ancestors.
The belief is so strong among the Hindus that they believe one can not attain salvation or even a place in heaven without a Shraddh performed by his son. Hence, there is a tremendous notion to have at least a son. Many Hindus used to marry a second time if they would not have a son with the first wife.
They believe that the soul can not rest in peace and undergoes painful experiences without Shraddh. Hindus feel it duty help their ancestors attain salvation by performing Shraddh.

Idea and philosophy behind Shradh and Tarpan

Performer of Shraddh offers Kusha (sacred grass), Pushpa (flowers), Tandula (Rice) and Jaladhara (a sprinkle of water). It is believed that the performance of Shraddh and Tarpan (libations of water) relieves the hunger and thirst of the departed soul during its journey to the Pitri Loka. It is also told that Shraddh not only liberates the ancestors but it benefits the performers too.
(However, the idea is not supported by the Upanishads, the ultimate philosophical scriptures of the Hindus. Instead of popular belief, It is not supported by the theory of Karma).
Ancestors are pleased and bless with prosperity, wealth, and happiness to the performer. Mantras of the Sam Veda are chanted during Shraddh. It must be performed with faith and devotion. Shraddh and Tarpan show gratefulness of a person to his ancestors.
Non-performing is believed as ungratefulness. The sacred scriptures warn the non-performing son that he would lead a miserable life and suffer from poverty. Hindu Puranas are full of details about Shraddh, especially Agni Purana, Garuda Purana, and Matsya Purana. It is Yama, the god of death in Hindu mythology, who explained the importance of Shraddh performed on Pitri Paksha (Pitru Paksha).

Shraddh Paksha: Pitri Paksha

Days between Ashwin Krishna Pratipada ( the Amavasya day after full moon) to Ashwin Amavasya(no moon day) according to Hindu or Vedic calendar are called Shraddh Paksha or Pitri paksha (Pitru paksha). It is also called Kanagat. Pitri Paksha Shraddh reaches the ancestors immediately and provides their souls rest and peace according to Hindu mythology. The Shraddh Paksha falls between September 4 and September 18, In 2009.
In Pitri Paksha, Vasu Rudra and Agni (gods) act as intermediaries between the relatives performing the rituals of Shraddh and the ancestors and carry the food offered. it is believed that the ancestors bless those performing Shraddh. People failed to offer annual Shraddh perform it in Pitri Paksha. Pitri Paksha Shraddh is also offered to childless relatives, unknown ancestors and victims of accidental deaths. Ashwin Krishna Amavasya, the last day of the Shraddh Paksha is very significant for Hindu rituals. It is called the Mahalaya Shraddh.
The customs and rituals during Pitri Paksha vary from place to place and person to person. Some people observe specific customs like fasting on the day or being a vegetarian. Abstaining from shaving and cutting hair is a popular ritual for these days.
Generally, a priest performs the rituals of Shraddh in a sacred place like a riverbank. Though illogical, Hindus believe that Shraddh cleanses sinful acts of diseased. Departed souls are said to wander aimlessly on Earth if not received offerings of Shraddh.

Restrictions in Shraddh Paksha

Traditionally, the Hindus do not perform any auspicious activities during these days. They do not commence any business, do not engage or marry and do not buy anything long-lasting such as gold, Jewelry or a house. They do not start building a house or go to a new house and even try not to travel during these days. Hindus have 16 Sanskar to be performed in their lives. These are restricted during Shraddha.
Some people believe that these days are inauspicious. However, this is a wrong notion. People worship Pitri (Pitar) these days so these days cannot be inauspicious. Shopping is not restricted in Pitri Paksha opposite to popular belief. Sewing and using soap and oil is restricted only on the day of performing Shraddh.
Navaratra (Navaratri) begins with the end of Shraddh Paksha. The Hindus observe this for nine days. It is believed that Navaratra is among the most auspicious days of the year.
Festival in India: Akha Teej (Akshaya Tritiya), the Auspicious Day
Thanks, 
Jyoti Kothari (Jyoti Kothari, Proprietor, Vardhaman Gems, Jaipur represents Centuries Old Tradition of Excellence in Gems and Jewelry. He is adviser, Vardhaman Infotech, a leading IT company in Jaipur. He is also ISO 9000 professional)

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सोमवार, 14 सितंबर 2009

Is the UK lap dog of the USA?

Britain, the UK has lost its past glory and following the US blindly as a lapdog. It has harmed UK's reputation seriously and affected unification of EU.

Read more:
Do you like to impress your boss? It is not an easy task if you do not know the tricks. Impressing your boss is a tricky thing.
Read more in 
How to impress your boss?


Jyoti Kothari

Jyoti Kothari is proprietor of Vardhaman Gems, Jaipur, representing Centuries Old Tradition of Excellence in Gems and Jewelry.
He is a Non-resident Azimganjite.

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Reconstruction of Azimganj Dadabadi at Rambag

 There are  hue and cry regarding dismental and reconstruction of Rambagh Dadabadi and some other related issues among Shaharwali society nowadays .

I have got several phone calls from Kolkata and Azimganj during these days. There are also some comments made by Shaharwali people anonymously in the blogposts.

I have repeatedly discussed the matters with Pujya Sadhwi Shree Shashiprabha Shreeji Maharaj and Shree Sunil Churoria, Secretary, Azimganj Shreesangh alongwith some other experienced, religious and socially active persons of Azimganj. I have also consulted some office bearers of Murshidabad Sangh, Kolkata and trustees of Azimganj Shreesangh. Now I am able to draw some conclusions about the matter.

1. It is suggestable to keep the pond in front of Dadabadi at its present position.

2. Dadabadi is already dismentalled and there is no way to rstore it as it is. Hence it is suggestable to  
reconstruct it  maintaining its old look. Old architecture of eastern India should be maintained and preserved.

3. It is also in the interest of everyone to rectify serious mistakes (That occured during reconstruction and Pratistha by Acharya Padmasagar Suri) in Sri Neminath Jain temple, Azimganj. Sri Sunil Churoria has assured me of the same in a telecon.

4. Pujya Maharaj Saheb informed me that Shilanyas of Dadabadi is postponed and it will not be done on the day of Navapad Mandal Ji Pujan. She has also informed me that she had advised the Sangh to  reconstruct Dadabadi with mimimum cost. 


I appreciate both the decissions.

5. It is suggestable not to involve the same Vidhikarak as "Margadarshak" in reconstruction of Dadabadi who had commited serious mistakes during earlier Pratistha in Sri Neminath Swami temple.

6. It also suggestable that the Sangh should meet and come into an unanimous decission. A plan, design and budget should be passed in that meeting in Margadarshan of Pujya Sadhwiji Shree Shashiprabha Shreeji. She has assured me of guiding the Sangh in this matter.

7. It is in the best interest of Azimganj Shreesangh and Shaharwali society at large to avoid all controversies and leg pulling (if any). We all are united for the cause of betterment of shaharwali society and to bring its past glory. May Arihant Paramatma bless us and dadagurudeva help us. 

Best wishes.


जैन धर्म की मूल भावना भाग 1
जैन धर्म की मूल भावना भाग 2

Jain Bhajans by Anup Jalota
With regards,
Jyoti Kothari

(Jyoti Kothari is proprietor of Vardhaman Gems, Jaipur, representing Centuries Old Tradition of Excellence in Gems and Jewelry. He is a Non-resident Azimganjite.)

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Architecture of Jain temples

Jain temples are built from time immemorial. How ever there was no fix architecture or Vaastu for the same. It had been changing according to time and place. It was also changed according to wish and capabilities of the builders. 

Most of the Jain temples we see today are built within 1000 years. Jain temples older than that period are not  generally visible. Different types of Jain temples were built at the time of Lord Mahavira. Some of them were cave temples. A cave temple is yet exist at Rajgir and perhaps this is the oldest existing Jain temple. Unfortunately, this is not being  treated and worshiped as Jain temple. It is in the Swarna Bhandar of Rajgir and an inscription in Brahmi script clearly depict it as Jain temple. The inscription also mentions name of the inscriber Acharya Bhagwant. The cave temple is almost contemporary to Lord Mahavira.


Emperor  Samprati, Grandson of  Ashoka the Great, (2200 years back) built huge number of Jain temples and Jain idols. Large number of Jain idols are even found in these days but no temple.


Paramarhat Maharaja Kumarpal, King of Gujrat, built large number of Jain temples (Before 1000 years) after Emperor Samprati. Rashtrakut Pratihar school of architecture for building temples had been developed by that time. Famous Somnath temple is an explicit example of that school. Maharaja Kumarpal built Jain temples with architecture of his time. Actually, he built Jain temples in such a large number that the school of architecture became a symbol of Jain temple art in Gujrat.


 Most of the Jain temples built with the same architecture after Kumarpal. Some parts of present days Rajasthan was in Gujrat at that time. The same architecture was also famous in those areas. Renowned personalities like Vastupal and Tejpal also built Jain temples of Mt. Abu with the same architecture.


However, it does not mean that all the Jain temples at every place were built with the same architecture at that time. Jain temples in Malava were built in diffrent style at that time. Famous Suparswanath Temple of Mandavgadh, that was converted into a mosque forcefully by the Muslims, was the best example of different architecture.


Jain temples in other parts of Rajasthan such as Bikaner and Jaipur were built in different style and architecture. Jain temples of Delhi, Madhya pradesh, Uttar Pradesh, Bihar, Bengal and Orissa were also built in different style. Old Jain temples of pilgrims like Sammet Shikhar, Pawapuri, Kshatriyakund Parasnath Glass temple of Kolkata are examples of the same. Temples in Chandni Chowk, Delhi; Temples of Varanasi and Lucknow, Azimganj and Jiaganj, Mahimapur (Kasauti temple), and Kolkata also represents the Eastern India style. and world famous


Some people with ignorance or vested interested had been campaigning wrongly against these types of temples. This is going on since last 30 - 40 years. It is being told that temples other than Rashtrakut Pratihar school architecture are improper (Avidhi) and not according to Jain Vastu. But the campaign is completely baseless. It is clearly with vested interested and malafied intention. Frankly speaking, there is no fix architecture of Jain temples since ancient times.


Sompuras (Present days architects of Jain temples) are dominant now-a-days. They are not Jains. They design Jain temples according to the architecture of Somnath (Shiva temple) temple in Gujrat. The astonishing fact is that many of the Jain Acharyas, monks and nuns are supporting them.  They are wrongly speaking that the Jain temples built by the Sompuras are only with right architecture.


It is regretable that many old Jain temples are destroyed intentionally in the name of Vidhi and reconstructed with the advice of Sompuras. Some times it is done to satisfy egoes of those so called Jain Acharyas, monks and nuns. 


Are they doing Dharma by destroying and dismentaling  unnecessarily and reconstructing old Jain temples just to  inscribe their names on those temples? Renowned Jain temple of Jeerawala Parshwanath, famous pilgrim in Rajasthan, is detrimentaled  and is being reconstructed with expenses of crores of rupees. There are many other examples.


Gujrat and Gujratis are dominant in Jain society since past few decades.  most of the monks and nuns are also from there. Hence, it is natural for them to think Gujrat architecture the right one. It is also one of the reasons of destroying and dismentaling old Jain temples.


Raga-Dwesha of Gachchha is also involved in the matter. Most of the Acharyas, monks and nuns from Gujrat are of Tapagachchh.  Whereas, Khartar Gachchh and some other gachchhas were dominant in other parts of the country. Most of the temples in those places are pratisthit by ancient Acharyas of Khartar Gachchha, Vijay Gachchha, Paychanna Gachchha, Lonka gachchha etc. Hence, those temples are being dismentaled and new temples are built. Pratishtha of most of those new temples are done by Acharyas of Tapagachchha. Historical evidences of other Gachchhas are destroyed in this way.


Doing such things has become a fashion nowadays. Even monks and nuns of Khartargachchha have qued before them. They are becoming instrumental in destroying temples and Dadabadis installed by their own ancestor Acharyas. A Jain temple is dismentaled in Mundra, Cutch, by a Khartargachchha Jain monk. It is being told that the temple had ben shaken in earth quake to justify the work.


So called Vidhikarak and Sompura also support these for their own interests. Jain Shravakas and Shravikas also join them either because of their ignorance or devotion to monks and nuns. Some times rich Shravakas are also join hands to satisfy their own ego.


We should think logically and judiciously before becoming part of it. It is advisable to be cautios. Otherwise, we will not only misuse public funds (Devadravya) of billions but also involved in sinful act of destroying our own old culture.



जैन धर्म की मूल भावना भाग 1
जैन धर्म की मूल भावना भाग 2
जैन धर्म की मूल भावना भाग 3
जिन मंदिर एवं वास्तु

Thanks,
Jyoti Kothari

(Jyoti Kothari, Proprietor, Vardhaman Gems, Jaipur represents Centuries Old Tradition of Excellence in Gems and Jewelry. He is also ISO 9000 professional).

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शनिवार, 12 सितंबर 2009

Photo Gallery: Jain temples in Murshidabad

I have published a Photo gallery online about Jain temples in Murshidabad. This contains photos of  temples and Dadabadi in Azimganj, Jiaganj and Nashipur (Katgola).


Please click Here to view and enjoy
Thanks, 
Jyoti Kothari

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गुरुवार, 10 सितंबर 2009

Sumatinath Jain Temple in Palitana

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Mulanayaka Sacha Sumatinath

Sri Madholal Dugar of Kolkata Johari Sath has built a Jain temple in Palitana Talhati in the 19th century. This is the oldest Jain temple in Palitana Talhatti. Sumatinath, the Mulnayaka of this temple is popularly known as Sacha Sumatinath. Jain pilgrims of Palitana worship this diety before proceeding to the Palitana hills. There are other Tirthankar idols and Dadaguru dev Charans (Foot prints) in this Palitana Jain temple.

Jirnoddhar of this Palitana temple is done recently in the auspicies of Khartar Gachchha Sadhwi Shree Shashiprabha Shreeji Maharaj. A Bhaktamar temple, Dadabadi and Patavali temple is also added newly to this temple.

This Palitana temple is presently managed by Sri Ujwal Dugar, a member of Sri Madholal Dugar family.

A dharamshala is also attached with the temple built by the same Sri Madholal Dugar.

Links to other posts in the blog:
Gems and Jewelry ArticlesSri Chandaprabhu temple in Kolkata
Sri Mahavir Swami temple in Kolkata
Rai Badridas Bahadur Mookim
Kolkata Dadabadi


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